Genre: Reggae

Bob Marley Birthday Bash<br>Late Show

Bob Marley Birthday Bash
Late Show

 

BAG POLICY

Bags (max size 12″ x 6″ x 12″) are allowed and will be searched upon entry. Exceptions will be made for necessary medical equipment and bags for nursing mothers. We encourage you to pack light with only the necessities to make the entry process as smooth as possible.

PAYMENT POLICY

We are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit, debit, Apple Pay, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash.

 

Bob Marley Birthday Bash<br>Kids Show

Bob Marley Birthday Bash
Kids Show

 

BAG POLICY

Bags (max size 12″ x 6″ x 12″) are allowed and will be searched upon entry. Exceptions will be made for necessary medical equipment and bags for nursing mothers. We encourage you to pack light with only the necessities to make the entry process as smooth as possible.

PAYMENT POLICY

We are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit, debit, Apple Pay, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash.

 

Natty Nation’s Annual Black Friday Show

Natty Nation’s Annual Black Friday Show

 

BAG POLICY

Bags (max size 12″ x 6″ x 12″) are allowed and will be searched upon entry. Exceptions will be made for necessary medical equipment and bags for nursing mothers. We encourage you to pack light with only the necessities to make the entry process as smooth as possible.

PAYMENT POLICY

We are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit, debit, Apple Pay, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash.

 

Coyote Island + Certainly So

Coyote Island + Certainly So

 

BAG POLICY

Bags (max size 12″ x 6″ x 12″) are allowed and will be searched upon entry. Exceptions will be made for necessary medical equipment and bags for nursing mothers. We encourage you to pack light with only the necessities to make the entry process as smooth as possible.

PAYMENT POLICY

We are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit, debit, Apple Pay, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash.

 

Coyote Island

Coyote Island, the musical vision of Mike O’Hehir, explores a fresh blend of folk, reggae and pop with world music influences creating a playful global sound around stories embracing the human journey. His first single “Here Before” co-produced with trip-hop duo Dazy Park, has garnered over 2 million streams across platforms globally. The follow up EP “Origin Stories” attracted Ineffable Records (Shwayze, Surfer Girl, Anthony B). Coyote Island’s highly anticipated debut full-length album “Holy Illusion” was released on June 16, 2023 with singles featuring Grammy-nominated artists Matisyahu and Blvk H3ro, as well as guest collabs with Surfer Girl, Mihali & Ghanaian singer & songwriter Abitemi dropping monthly in the lead up.

Certainly So

Gray, Wilson, Porter & Corder — Welcome to Certainly So.

Hailing from Birmingham, AL, childhood friends Tanner Gray and Colby Wilson have been writing music together for over ten years. The pair have drawn inspiration from many genres and eras — The Beatles, The Beach Boys, The Grateful Dead, Vampire Weekend, John Mayer, and Her’s to name a few. The music that comes from Gray and Wilson has always boasted blood harmonies as well as thoughtful, invoking lyrics.

Post high school, Gray and Wilson took different paths. Gray attended Mississippi State University, while Wilson stayed in Birmingham. While at MSU, Tanner became acquainted with Chase Porter (bass) and Zach Corder (drums). Porter, Corder, and Gray would form and play in multiple ensembles while in school; always focusing on creating original music and developing a unique sound.

After graduating in 2015, Porter made his way to Nashville to begin a career in a city he loved while playing in a few bands and many songwriter rounds in his spare time. Gray and Corder made their post-graduate home in the panhandle of Florida, forming yet another group: The Graytones. They toured extensively in the region over the next two years. Wilson remained busy in Birmingham with his own original music group, Smoking With The Bandit.

In the Spring of 2019, Gray and Wilson were finally reunited when Gray found himself back in Birmingham as part of a career in craft beer. Corder’s path took him to the Music City, catching up with Porter. Gray and Wilson picked up right where they left off in Alabama, and they soon felt a new project starting to take form.

As the duo recorded acoustic demos, they realized they needed a fuller sound, and the two kids from Birmingham reached out to their Mississippi-born rhythm section. The demos were shared north to Nashville, and once Porter and Corder heard what Gray and Wilson were doing, there was never a chance they could say no. In September of 2019, Certainly So was formed. Several months later, in January 2020, the group was introduced to producer/engineer Toby Hulbert. Hulbert had spent the last 8 years at Abbey Road in his hometown of London, England, and was currently in Nashville working alongside hitmaker Dave Cobb. Upon hearing the ‘Certainly So’ demos, he felt a similar sentiment as Porter and Corder did- he must be involved. Hulbert joined the team as producer. Certainly So and Hulbert gained access to East Avalon Recording Studio in Muscle Shoals through RCA’s Colin Lott during April 2020. Over the next two months, Hulbert and Lott teamed up to produce and engineer four weekend sessions, recording what would be the band’s debut album Future Self Only Dreams.

Dub Foundation

Dub Foundation

 

BAG POLICY

Bags (max size 12″ x 6″ x 12″) are allowed and will be searched upon entry. Exceptions will be made for necessary medical equipment and bags for nursing mothers. We encourage you to pack light with only the necessities to make the entry process as smooth as possible.

PAYMENT POLICY

We are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit, debit, Apple Pay, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash.

 

FREE Dub Foundation Pop-Up Show

FREE Dub Foundation Pop-Up Show

 

BAG POLICY

Bags (max size 12″ x 6″ x 12″) are allowed and will be searched upon entry. Exceptions will be made for necessary medical equipment and bags for nursing mothers. We encourage you to pack light with only the necessities to make the entry process as smooth as possible.

PAYMENT POLICY

We are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit, debit, Apple Pay, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash.

 

Bumpin Uglies

Bumpin Uglies

 

BAG POLICY

Bags (max size 12″ x 6″ x 12″) are allowed and will be searched upon entry. Exceptions will be made for necessary medical equipment and bags for nursing mothers. We encourage you to pack light with only the necessities to make the entry process as smooth as possible.

PAYMENT POLICY

We are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit, debit, Apple Pay, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash.

 

Bumpin Uglies knows all about hustle. The Maryland reggae-rock band had spent more than a decade on the road, starting with local open mics and backyard parties and growing into road warriors, building an ever-expanding audience with sold-out shows in clubs and prime spots at festivals from coast to coast, on one national tour after another. Then the pandemic hit, and touring shut down.

After being in motion for so long, singer and lead guitarist Brandon Hardesty wasn’t about to sit still, even if he couldn’t be out on tour. In fact, Bumpin Uglies never really stopped working — they adapted. The group returned to playing backyard parties around Annapolis, where they’re based, and added socially distanced concerts and full-band livestreams. In the fall of 2020, they also started releasing a new song every month as part of a project called the Never Ending Drop.

“We felt like prospectors going out and trying to find gold — it was just uncharted territory,” Hardesty says. “We had to figure out a way to make a living. That’s kind of what being a musician during Covid has felt like to me. You can do it, but you have to be bold.”

Hardesty has been bold from the start. He was waiting tables when he started the band in his early 20s. With an ear for melodies and the determination to succeed, he poured his time and energy into making Bumpin Uglies a success. For years, the band did just about everything themselves, from booking shows to releasing their own albums, building a sense of momentum along the way that eventually became self-sustaining, and then Hardesty wasn’t waiting tables anymore.

No surprise, then, that a musician with his strong work ethic found a way to take maximum advantage of the sudden surplus of time at home. For one thing, he got to hang out with his toddler son, and he and his wife welcomed a new baby. He also wrote a ton of songs. For the first time, Hardesty approached songwriting as a discipline, dedicating time to working on new music rather than waiting for inspiration to strike and then jotting down ideas in the back of the Bumpin Uglies van on his way from one gig to the next.

“I just woke up every morning and I made a pot of coffee, and I had this running list of ideas in my phone for hooks and riffs and progressions,” he says. “I sat down every day and made myself write a song, and 85 percent of them were pretty good. And it was awesome. I really, really enjoyed the process.”

The result is the band’s seventh studio album, Mid-Atlantic Dub, which they recorded in 2021 and plan to release this fall. After showing the breadth of Bumpin Uglies’ influences on the Never Ending Drop, from folk to classic country to hip-hop, Mid-Atlantic Dub brings the group — also featuring Dave Wolf on bass and vocals, Ethan Lichtenberger on keyboards and TJ Haslett on drums — back to the core of what they do.

“It’s very groove-focused,” Hardesty says. “It’s very hooky, very vibey. It’s very accessible, but there was no compromise on the storytelling or the lyricism.”

In fact, Hardesty had a lot on his mind while working songs for Mid-Atlantic Dub. He had recently lost his own father while he was stepping into being a dad himself and letting go of the vestiges of childhood, all during the uncertainty of a global pandemic. It’s all there on “Slow Burn,” featuring Jacob Hemphill from SOJA. “Before the oak you got the sapling and the seed / Before you triumph you will swallow a defeat,” Hardesty sings over unhurried upstroke guitars and a beat laid back into a deep pocket.

“I was doing a lot of growing up during Covid,” he says. “It was very much like a survival thing, and when you’re in that kind of mode, it forces you to cut a lot of bullshit out of your life.”

What’s left, in Hardesty’s songwriting as in his daily life, is what’s real, and what’s real stands a solid chance of connecting with an audience that appreciates openhearted lyrics paired with a tight reggae-rock vibe.

“For me, it’s just all about honesty,” Hardesty says. “That’s what I listen for when I’m listening to music. I want to feel like whatever the author’s saying is honest.”

Mike Love

Mike Love

 

BAG POLICY

Bags (max size 12″ x 6″ x 12″) are allowed and will be searched upon entry. Exceptions will be made for necessary medical equipment and bags for nursing mothers. We encourage you to pack light with only the necessities to make the entry process as smooth as possible.

PAYMENT POLICY

We are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit, debit, Apple Pay, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash.

 

Mike Love

Mike Love is a musician devoted to revolution through sound. Born in O’ahu, Hawai’i to a family of musicians, Mike has used music as a conversation for as long as he can remember.

He comes from a unique convergence of influences, yet all are bound by their common ambition to inspire positive change in the world. Love releases his music independently on his own Love Not War Records label, and his sound, while rooted in the spirituality and message-based music of roots reggae, fuses a variety of influences including progressive and classic rock, soul, blues, flamenco, jazz, classical, and more.

Love’s solo shows are an internationally recognized one-man-band showcase, using complex looping techniques, multiple instruments, and an array of different vocal and musical styles. His songs possess wisdom and seek to instill change; they are about being conscious and mindful as human beings living among so many other life forms on this beautiful planet. For Mike, music is a form of healing, learning, and growing.

Keilana

Keilana is a rising singer-songwriter hailing from Hawaii with a soulful and uplifting sound that draws from a multitude of genres. Whether performing solo with just her guitar or backed by a full band, Keilana’s live shows are always electrifying and captivating, showcasing her impressive songwriting skills and dynamic vocal range. Her debut album, “I Am,” charted to #2 on the iTunes R&B charts and crowned her “Hawaii’s Most Promising Artist”. Keilana aspires to share her music with the world, bridging the gap between mainstream music and music of Hawaii, sharing a piece of paradise everywhere she goes.