Genre: Dance/Electronic

King Pari<br>So Good To See You Again Tour

King Pari
So Good To See You Again Tour

 

COVID-19 POLICY

Based on the latest local guidelines, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change.

BAG POLICY

Small personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers.

PAYMENT POLICY

We are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit, debit, Apple Pay, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash.

 

King Pari is an almost accidental project. Cameron Kinghorn and DJ Stepmom (Joe Christensen) didn’t even set out to start a band. When Joe texted Cameron some jams whipped up on his tape machine, Cameron hit him back with, “What is this? I want in.” Ten minutes before they first met up, Joe built the loop for their first single, ‘Sunshine,’ which they then wrote on the spot in a flurry of collective inspiration. Now the duo’s collection of work has grown, amassing millions of streams, radio play, shows across the US, and a fan base growing rapidly.

King Pari is much more than this serendipitous start though. The project is the culmination of Joe and Cameron’s years of hard work in the Minneapolis scene. Their musical talents afforded them opportunities few have experienced, from being invited to play shows at Prince’s Paisley Park by Prince himself to performing with Prince’s band New Power Generation. The two draw inspiration from the “no limits” nature of the Minneapolis sound, pushing it forward as they see it today.

All of these moments culminate in King Pari and lay the groundwork for one of the most exciting new projects in music right now. With their debut project, “Mary”, out everywhere and official remixes on the way from the likes of Peanut Butter Wolf, Moonchild, and Ginger Root it is clear that the future for King Pari is extremely bright and only getting brighter.

The Halluci Nation

The Halluci Nation

 

COVID-19 POLICY

Based on the latest local guidelines, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change.

BAG POLICY

Small personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers.

PAYMENT POLICY

We are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit, debit, Apple Pay, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash.

 

The Halluci Nation is real.

As they enter a new cycle, Bear Witness and Tim “2oolman” Hill of A Tribe Called Red are reintroducing themselves as The Halluci Nation, to reflect the evolution of their music and mission. The Halluci Nation, takes its name from a phrase coined by John Trudell, to describe the vast global community of people who remember at their core what it means to be human. As a visionary
artist and activist, Trudell recognized the connection between his accomplishments and what ATCR did intuitively through music and art.

Trudell’s voice was the first heard on Tribe’s last record, We Are The Halluci Nation, and will, fittingly, be the first you hear on The Halluci Nation’s upcoming record, One More Saturday Night. The album is a love letter to the Electric Pow Wow gatherings launched at Ottawa’s Babylon nightclub in 2007. It represents an imagined denouement to the biweekly Saturday-night parties that ended abruptly in 2017, without ever getting the proper send-off. One More Saturday Night thus pays homage to the parties’ energy and momentum that elevated The Halluci Nation to this pivotal point in their career of fully mastering their own music style while also moving beyond club music; or “mixing dance music with dance music,” as Bear Witness succinctly puts it.

“We wanted to pay homage to the Electric Pow Wow and wrap that whole decade of experience up and close the cycle, and in doing so give direct coordinates of where the future was headed. In a nutshell, that’s what this album is about,” says Bear. “We just wanted to make a party record, as well, one that people could dance to while still having the strong message we are known for.”

As was the case with its proud legacy, The Halluci Nation’s future revolves around collaboration. From hip-hop star, Yasiin Bey (AKA Mos Def), to the Indigenous Australian band, OKA, to the Wayuu-Colombian powerhouse, Lido Pimienta, the group has always sought out artists from around the world who would join the Halluci Nation family to form a like minded community as well as an international indigenous alliance. The upcoming record will be no exception–with features as inspired and unpredictable as the music from Texas “electro-cumbia” producer, El Dusty, Anishnaabeg drum group, Chippewa Travellers, Maori artist, Rob Ruha, Inuk singer, Tanya Tagaq, and round-dance/R&B singer Antoine, among many others.

“We wanted to take the music to another place,” says 2oolman. “We showed a little bit of our ambitious side on this record and we got to do a lot of songs that we’d been wanting to do for a long time. And this is just the beginning. I wouldn’t be surprised if you heard The Halluci Nation produce a project for someone else. We’ve got so much more coming.”

This is a beginning, not an end, after all. The Halluci Nation maintains focus on what they feel they can impact most: how Indigenous people are seen. Through groundbreaking stage shows and ever-changing visuals, Bear Witness and 2oolman are working to create media that reflects today’s Indigenous identity. By partnering with striking visual artists such as Whess Harman, Saige Mukash and Cedar-Eve Peters along with a growing community of musical collaborators. They see themselves simply as contributors to a necessary conversation around a subtle and complex representation of the contemporary Indigenous experience.

Steez and Heatbox

Steez and Heatbox

 

COVID-19 POLICY

Based on the latest local guidelines, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change.

BAG POLICY

Small personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers.

PAYMENT POLICY

We are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit, debit, Apple Pay, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash.

 

Remain In Night

Remain In Night

 

COVID-19 POLICY

Based on the latest local guidelines, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change.

BAG POLICY

Small personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers.

PAYMENT POLICY

We are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit, debit, Apple Pay, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash.

 

Remain in Night returns for another unforgettable evening of psychedelic techno. Come explore the rhythms and textures of the night within our totally transformed space while immersing yourself in a world class VOID sound system. Our headliners for this edition are two of our absolute favorite underground legends, Mike Servito & Carlos Souffront. We also have a very special opening set from two of our favorite up and coming US talents and proven psychedelic weavers, Fabiola & Lorelei.

Set times:

8pm – Fabiola & Lorelei
10pm – Carlos Souffront
12am- Mike Servito

Brought to you by the same crew behind the dance tent at La Fete de Marquette.

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Chark & Cntrlla Slime to Sludge 2022

Chark & Cntrlla Slime to Sludge 2022

Slime turns to sludge at the High Noon Saloon by way of a low-light audio experience curated with the intent to bring focus to the bleeding edge of bass music.

 

cntrlla

cntrlla is the alias of Wisconsin-based music producer Kota Logan. For thepast four years, cntrlla has released increasingly high fidelity production exhibiting a mastery of distortion and penchant for psychadelic glitch textures. cntrlla skillfully blends broken hip-hop rhythms with smashing bass synths to result in a unique and other-worldly sound designed to be experienced on large, powerful sound systems.

Chark

Chase Clark is known for his experemental music far and wide. His boundary-stretching music has garnered attention from labels such as Wavecraft Collective, Saturate Records, Sound Museum, and Fuzzy Puddles. Chark delights in distortion and the darker side of bass music, incorporating metal and noise elements into his trademark cathartic beats.

 

Based on the latest local guidelines, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request.  Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change.