BEGIN:VCALENDAR VERSION:2.0 PRODID:-//High Noon Saloon - ECPv5.14.0.4//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:High Noon Saloon X-ORIGINAL-URL:https://www.high-noon.com X-WR-CALDESC:Events for High Noon Saloon REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Chicago BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20220313T080000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20221106T070000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221018T200000 DTEND;TZID=America/Chicago:20221018T200000 DTSTAMP:20240329T022918 CREATED:20220516T160013Z LAST-MODIFIED:20220516T132539Z UID:7480-1666123200-1666123200@www.high-noon.com SUMMARY:Carbon Leaf DESCRIPTION:Based on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request.  Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\nABOUT CARBON LEAF \n“It felt so good to get back on the road again in 2021. It was a huge relief\, with safety on everyone’s minds\, to know that the efforts were paying off\,” says Carbon Leaf frontman Barry Privett. \n“The systems worked very well we were able to connect through live music once again. When we got home in December\, we went right to work writing and recording. We wanted this album to have a little bit more fun than our 2021 release\, Gathering 2: The Hunting Ground. This new album will be expanding that neighborhood\, musing on space and time\, and the brief moment we get to experience it as Earthlings\, if you will.” \nThe ongoing Gathering series the band has been working on over the last few years is all about building community. \n“It’s a call to look inwards and find what matters\, an invitation to reach out and embrace the gifts of human connection.” Privett says. \nThat’s no mean feat given the deep divisions that have defined much of the past few years of American life\, but Carbon Leaf has always punched above their weight\, defying the odds at every turn and redefining what’s possible for a modern indie band in the process. The group’s extraordinary new mini-album\, Gathering 2: The Hunting Ground\, is no exception. Recorded at the band’s own studio in Richmond\, VA\, the collection marks the second installment of the group’s four-part Gathering series\, which finds the long-running quintet stripping their sound back to its organic\, acoustic core as they reckon with our ever-conflicting desires for unity and independence. The songs here are gutsy and probing\, grappling with grief\, loss\, anger\, and pain\, and the arrangements are aggressive and insistent to match\, fueled by layers of relentlessly strummed guitars\, rolling banjo\, and lush fiddle. The result is a moving\, cathartic collection that’s unafraid to confront darkness and doubt head on\, a poignant\, revelatory record all about the power of self-reflection and the ties that bind. \n“One of the big questions we found ourselves grappling with as a band was\, ‘How do you actually make any kind of a difference in society today?’” says Privett. “And I don’t think you can do that without first looking inwards—to yourself\, your family\, your friends—and figuring out what your values truly are.” \nAnyone who’s caught a Carbon Leaf show over the past three decades probably has a pretty good idea just what those values are: brotherhood\, commitment\, empathy\, integrity\, self-reliance. Founded at Randolph-Macon College in 1992\, the group evolved from a houseparty cover band into something far more profound after graduation\, when they moved to Richmond and made the shift to original music. The band’s first three albums helped build a devoted cult following\, but it was 2001’s Echo Echo that truly brought Carbon Leaf to national attention\, with lead single “The Boxer” earning the group a performance slot in front of millions of viewers at the American Music Awards. After nearly ten years of self-releasing and grinding it out on the road (both as headliners and as guests appearing on bills alongside the likes of Dave Matthews Band\, O.A.R.\, Jason Mraz\, Blues Traveler\, and Guster\, among others)\, the band signed with Vanguard Records in 2004 for their critical and commercial breakthrough\, Indian Summer\, which yielded a Top 5 hit at AAA radio and garnered rave reviews everywhere from The Washington Post to WXPN. While the band would go on to release two more similarly well-received albums with Vanguard\, it soon became obvious to everyone that independence wasn’t simply an ideal for Carbon Leaf\, but rather an integral part of their DNA\, and so in 2010\, the band parted ways with the label in order to return to their DIY roots and take complete and total control of their career. Acting as their own label\, distributor\, and manager\, the band cut new versions of all three Vanguard albums in order to regain the rights to the recordings\, launched their own festival\, and began releasing a successful series of direct-to-fan concert films\, livestreams\, and studio records leading up to the first installment of the Gathering series in 2018. \n“The initial idea for these Gathering albums was to get a bunch of our musical friends together in the studio for a weekend and make something really communal and collaborative\,” explains Privett. “We had some of our pals from We Banjo 3 join in on Volume 1\, but for the second installment we decided to strike out on our own because the songs just felt more personal and introspective.” \nThough Carbon Leaf had traditionally embraced a wall of sound approach in the studio\, this time around they went back to the basics\, focusing on raw\, acoustic arrangements that placed the storytelling front and center. With guitarist Terry Clark handling engineering duties\, the band—Privett\, Clark\, stringed instrument wizard Carter Gravatt\, bassist Jon Markel\, and drummer Jesse Humphrey—captured performances on and off over the course of roughly six months\, experimenting with a wide variety of instruments and mic placements to generate a series of immersive\, transportive sonic landscapes. \n“Space was a big thing for us when we were making these recordings\,” says Clark. “Moving the microphones further away so we could really capture the room and the air helped add lot of the character and dimension these songs needed.” \nWhile some of the tracks here began life as instrumental demos from Gravatt\, others first took shape as acapella lyrical or melodic ideas from Privett. Regardless of where each tune began\, though\, the finished product would inevitably wind up bearing the unmistakable fingerprints of all five bandmates\, whose infectious chemistry consistently yields more than the sum of its parts. \n“We like to take a world-building approach in the studio\,” says Privett. “We’ll stack things up and layer them on top of each other until we’ve got something that sounds way beyond just five guys in a room together.” \nThat alchemy is obvious from the outset on The Hunting Ground\, which opens with the churning “Everything’s Alright Mama.” Mixing gritty Appalachian folk with lilting Celtic influences\, the track begins with both feet on the ground and builds into a soaring work of bittersweet beauty\, balancing the mundane and the magical in equal measure as it reaches out into the void for connection. Like much of the album\, it’s a bright\, up tempo tune\, but dig beneath the surface and you’ll find an underlying sense of sadness that permeates the often-impressionistic lyrics. The driving “Her Father’s Pride\,” for instance\, grapples with division on both a personal and a communal scale\, while the rollicking “Smokey Joe Of The Poconos” explores what happens to those left behind in the name of progress\, and the mesmerizing “Pale Blue Dot” zooms out to contemplate our place and our purpose in the greater scheme of the universe. It’s perhaps the muscular title track\, though\, that best encapsulates the sense of questioning and longing that defines the collection\, with Privett singing\, “Is this all we have\, the natural world? Is anyone around?” \n“The idea of the hunting ground is that it’s this place where you’re searching for something out in the great wild unknown\,” says Privett. ”How do you process grief? How do you fix your soul in the face of losing someone you care about? How do you carry on when life doesn’t go the way you’d planned?” \nIn the end\, of course\, there are no easy answers to these questions\, and that’s precisely the point. The hunt is an endless one\, but it doesn’t need to be lonely. We’re all in the search together\, and after more than a year of distance and isolation\, it’s hard to think of anything we need more than a good old fashioned gathering URL:https://www.high-noon.com/event/carbon-leaf/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/05/CarbonLeaf-HNS-WEB.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221019T190000 DTEND;TZID=America/Chicago:20221019T233000 DTSTAMP:20240329T022918 CREATED:20220719T170137Z LAST-MODIFIED:20220817T221740Z UID:7648-1666206000-1666222200@www.high-noon.com SUMMARY:Dead Poet Society DESCRIPTION:Based on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request.  Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n \n  URL:https://www.high-noon.com/event/dead-poet-society/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/07/DPS-HNS-Web.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221020T200000 DTEND;TZID=America/Chicago:20221020T230000 DTSTAMP:20240329T022918 CREATED:20220927T165246Z LAST-MODIFIED:20221006T185959Z UID:7887-1666296000-1666306800@www.high-noon.com SUMMARY:Dogsblood DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nDogsblood \nHardcore punk from Madtown . Recordings coming soon . 7” Single and full length in the works. \nConan Neutron & the Secret Friends \nConan Neutron\, Tony Ash & Dale Crover play big rock for you. Big rock thrills in a post-punk package \nNew Primals \n‘Horse Girl Energy’ available everywhere via Learning Curve Records: https://linktr.ee/newprimals URL:https://www.high-noon.com/event/dogsblood/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/png:https://www.high-noon.com/wp-content/uploads/2022/09/Dogsblood-Web.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221021T203000 DTEND;TZID=America/Chicago:20221021T233000 DTSTAMP:20240329T022918 CREATED:20220907T164914Z LAST-MODIFIED:20220907T164914Z UID:7844-1666384200-1666395000@www.high-noon.com SUMMARY:Phun (A Tribute To Phish) DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nHailing from the great state of Wisconsin\, PHUN specializes in playing the music of the iconic jamband Phish. For over a decade\, the band has brought this music to Phans with the focus\, the energy\, and the respect it demands. We take our Phish covers pretty serious around here. \nThe band has an extensive musical history including a touring production of Gamehendge (The Man who Stepped into Yesterday)\, an Annual Hippy Xmas holiday event\, and countless shows at festivals and clubs. In 2019\, the band appeared at Summerfest in Milwaukee opening for Dark Star Orchestra. \nGuitarist Mike Scieszinski founded the group in Madison\, WI in 2009. The very first show was held at The High Noon Saloon in Madison\n“I decided early on in this band that we wouldn’t try and recreate entire Phish shows. Instead\, we would focus on using the song forms to improvise with our own voices\, work hard on vocals\, and nail down the composed parts. I hope that’s what Phish would want out of a band that plays their music.” URL:https://www.high-noon.com/event/phun-a-tribute-to-phish/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/png:https://www.high-noon.com/wp-content/uploads/2022/09/Web-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221022T130000 DTEND;TZID=America/Chicago:20221022T160000 DTSTAMP:20240329T022918 CREATED:20220829T192825Z LAST-MODIFIED:20220907T210621Z UID:7818-1666443600-1666454400@www.high-noon.com SUMMARY:Freak ShowHalloween Costume Dance Fitness Party DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nMonica has taught dance fitness classes at Princeton Club Fitchburg for about 9 years now. Over the years she has been certified in a few different dance fitness workouts. WERQ\, Turn Up\, and Latin Hip Hop. This event will be featuring all 3 dance fitness formats in this 2 hour dance party. \nWERQ Dance Fitness: The wildly Addictive dance Work out based on trending Pop and hip hop music. \nTurn Up Dance Fitness: These workouts are intense\, fun\, and life-changing\, incorporating HIIT (high intensity interval training)\, strength training\, and dance! \nLatin Hip Hop: This class will teach you Latin and hip-hop moves while burning calories. This high intensity energy cardio workout that will leave you feeling fabulous! \nAll of these workouts in one 2 hour dance party workout. Come dressed to impress in your best Halloween costume! \nDoors Open 12pm | Fitness Party 1-3pm | Cool Down 3-4pm URL:https://www.high-noon.com/event/freak-show-halloween-dance-fitness-party/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/png:https://www.high-noon.com/wp-content/uploads/2022/08/Freakshow-Web-2.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221022T200000 DTEND;TZID=America/Chicago:20221022T233000 DTSTAMP:20240329T022918 CREATED:20220916T190518Z LAST-MODIFIED:20220916T190518Z UID:7868-1666468800-1666481400@www.high-noon.com SUMMARY:Fresh Fighters Celebrating 25 Years of the Foo Fighters DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  URL:https://www.high-noon.com/event/fresh-fighters-celebrating-25-years-of-the-foo-fighters/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/png:https://www.high-noon.com/wp-content/uploads/2022/09/Web-5.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221023T120000 DTEND;TZID=America/Chicago:20221023T130000 DTSTAMP:20240329T022918 CREATED:20220815T150007Z LAST-MODIFIED:20220812T205824Z UID:7734-1666526400-1666530000@www.high-noon.com SUMMARY:The Rock and roll Playhouse playsMusic of Talking Heads for Kids + More DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 12″x 6″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nThe Rock and Roll Playhouse\, a family concert series hosted at historic music venues across the country\, allows kids to “move\, play and sing while listening to works from the classic-rock canon” (NY Times). Performing songs created by the most iconic musicians in rock history\, The Rock and Roll Playhouse band offers its core audience of families with children age ten and under games\, movement\, stories and an opportunity to rock out in an effort to educate children and explore their creativity. The Rock and Roll Playhouse is an early and often first introduction to a child’s lifelong journey with live music and rock and roll. See you at the show! \nThis concert for kids and families shares the music of the artist named above with a new generation of music lovers\, but is not associated with or endorsed by the artist. All children must be accompanied by a parent or adult caregiver. \nThe Rock and Roll Playhouse knows that little ears are sensitive\, so we turn down the volume at our shows. However\, all kids experience music differently and you may find that your child is more comfortable wearing hearing protection earmuffs\, such as Baby Banz\, which are available for purchase here. URL:https://www.high-noon.com/event/the-rock-and-roll-playhouse-playsmusic-of-talking-heads-for-kids-more/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 CATEGORIES:Rock and Roll Playhouse ATTACH;FMTTYPE=image/png:https://www.high-noon.com/wp-content/uploads/2022/08/20221023_talkingHeads_highNoonSaloon_900x600.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221023T193000 DTEND;TZID=America/Chicago:20221023T233000 DTSTAMP:20240329T022918 CREATED:20220816T191827Z LAST-MODIFIED:20221004T205311Z UID:7732-1666553400-1666567800@www.high-noon.com SUMMARY:Maygen & The BirdwatcherHigh & Rising DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 12″x 6″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nMaygen & The Birdwatcher\nComing off the successful release of their “stunning” (Americana UK) debut full-length album\, Moonshine\, which earned them Midwest Country Music Awards for both Album of the Year and Americana Artist of the Year\, Maygen & The Birdwatcher are hitting the ground running. Described as “an exciting goulash of Kacey Musgraves\, Chris Stapleton\, Florence + The Machine and Joe Cocker” (MostlyMinnesota)\, the band showcases original songs\, fantastic harmonies\, and tight musicianship that keep you anticipating what they’ll deliver next. They adventurously blur the sounds of country\, bluegrass\, folk and blues\, creating a sound both familiar and all their own. \nIn wanting to ensure the full spectrum of their sound is available to listeners\, Maygen & The Birdwatcher are releasing a 6 song EP this summer called Bootleggin’ At The Flower Shoppe. The 6-piece went right back to Flowers Studio with Kris Johnson (same as Moonshine) and recorded their more energetic and good-timin’ songs that were written around the same time as Moonshine\, but hadn’t gotten the chance to be properly recorded and shared with their fans. They like to think of Bootleggin’ as Moonshine’s companion\, released less than a year from each other\, with many different things to offer listeners that have grown to look forward to Maygen and Noah’s diverse approach to songwriting. They have landed opportunities on festival stages with Old Crow Medicine Show\, Paul Cauthen\, and Grace Potter\, all the way over to supporting the man himself\, Travis Tritt. Keep your eyes and ears on this band- the fact they’ve only been playing together for two years\, makes it all so exciting to see where they’ll go next. \nHigh & Rising\nOut of the north midwest and the banks of the mighty Mississippi River grew this “Groovy Grass” band of music makers. High & Rising most often plays as a quartet\, with a unique combination of instruments that bring a fresh groovy sound to the Bluegrass & Folk Americana scene.\nThe band\, led by Laura Farley (upright bass/vocals) and supported by Jym Farley (acoustic guitar)\, Ben Rohde (percussion) and Harrison Olk (Banjo) have quickly made a name for themselves through their prolific songwriting and performances along-side many notable musicians in the upper midwest music scene. \nHigh & Rising recently released their critically-acclaimed debut album HOWL\, featuring artists: Adam Greuel & Davey Lynch of Horseshoes & Hand Grenades; Chris Castino of The Big Wu; Ernest Brusubardis IV & Ryan Ogburn of Chicken Wire Empire; Augie Dougherty of Armchair Boogie; Craig Baumann of The People Brothers Band; Rick Krueuziger of The Pat Watters Band; Leo Albertoni of Old Soul Society; and Kenny Leiser of Joseph Huber. URL:https://www.high-noon.com/event/maygen-the-birdwatcher-high-rising/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/08/102322-HR-Maygen-V1-FBEvent.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221024T203000 DTEND;TZID=America/Chicago:20221024T233000 DTSTAMP:20240329T022918 CREATED:20220803T160035Z LAST-MODIFIED:20221017T144109Z UID:7715-1666643400-1666654200@www.high-noon.com SUMMARY:Amigo the Devil DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 12″x 6″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nDanny Kiranos\, the Austin-based songwriter behind the Amigo the Devil project\, has somehow managed to meld the worlds (and fanbases) of traditional folk\, country music\, rock\, and metal into one. The sonic experience is morbid\, yet poetic and oddly romantic. His unique artistic perspective and ability to connect with audiences has allowed him to amass a dedicated\, cult-like fan-base. Loaded with sing-alongs – and an unsuspecting dose of humor to make otherwise grim topics accessible for fans of every genre – the songs still remain deeply rooted in the tradition of story-telling…something that seems to be a lot less common nowadays. Attending an Amigo the Devil show is an experience: you become one with a wildly prophetic man\, armed only with his entrancing voice and a banjo\, and bear witness to an astounding performance that will stick with you for a long time. \nA key figure in the U.S. ‘murder folk’ scene\, Kiranos was initially influenced by the likes of Tom Waits\, Nick Cave and Godspeed! You Black Emperor. Following a number of well-received single and EP releases\, the debut album by Amigo the Devil ‘Everything Is Fine’ was produced by Ross Robinson\, renowned for his work with major league hard rock/metal acts such as Korn\, Slipknot\, At The Drive In\, and Glassjaw. The album also features drummer Brad Wilk (Rage Against the Machine\, Audioslave\, Prophets of Rage) sitting in on the entire recording session. \nHis follow-up record and latest release\, ‘Born Against’\, reveals him to be more than a one-trick pony stylistically. “Every new record is an opportunity to sit and think about how much has changed in your life and the world around you\,” Kiranos says. “It’s a new opportunity to bring in both new and old influences. I really wanted to dive into ideas that I’d either been avoiding or ignoring within myself and figure out ways to align them with music I grew up listening to. Influences that may have been set aside in our older recordings.” \nKiranos\, who grew up in Miami in a multicultural household\, decamped to Dallas to record the album at the venerable Modern Electric Studio with Beau Bedford (Texas Gentlemen). This marked the first time Kiranos had explored some of the world music he’d long loved\, including Eastern European folk and Australian country (“It has such an amazing sound to it\,” he says of the honky-tonk of Down Under. “The rhythms are so dry and brutal.”) Kiranos felt Bedford was the only producer who could draw those sounds out of him. Together they entered the studio with merely the skeletons of the songs Kiranos had written. One by one\, they fleshed them out in wildly inventive fashion. To say they threw the kitchen sink at this album would be an understatement; these guys threw the whole damn shack. \n“The Fellowship” – as Amigo’s die-hard fans refer to themselves – continues to grow with each new show played and album released. His continued connection with audiences and unique\, empathic lyrics are sure to carry Amigo the Devil into the hearts of many more. There is hope in the volatile\, peace in the macabre\, and light not just inside the tunnel but all around\, and Amigo the Devil is here to tell us how. URL:https://www.high-noon.com/event/amigo-the-devil/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/08/Amigo-HNS-Web.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221025T200000 DTEND;TZID=America/Chicago:20221025T233000 DTSTAMP:20240329T022918 CREATED:20220726T160046Z LAST-MODIFIED:20221024T162625Z UID:7679-1666728000-1666740600@www.high-noon.com SUMMARY:Dopapod DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 12″x 6″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nDopapod access a heightened level of cosmic harmony in their music. The quartet—Eli Winderman [keys\, vocals]\, Rob Compa [guitar\, vocals]\, Chuck Jones [bass]\, and Neal “Fro” Evans [drums]—present albums as experiences meant to be shared out of your speakers and on stage. After generating millions of streams\, packing shows coast-to-coast\, and earning acclaim from Rolling Stone\, Guitar World\, Glide Magazine\, and more\, the group architect an immersive and expansive vision on their self-titled seventh full-length offering\, Dopapod. \nThe group’s hypnotic hybrid of funk\, rock\, jazz\, bluegrass\, and electronica bloomed brilliantly on 2009’s Radar\, and it continued to blossom on the likes of Never Odd Or Even [2014] and Megagem [2017]. Along the way\, fan favorites such as “Present Ghosts” reeled in 2.4 million Spotify streams and counting. 2019’s Emit Time arrived to acclaim from Guitar World\, Relix\,\nGlide\, Jambase\, and more. Simultaneously\, they sold out headline gigs and graced the bills of Electric Forest\, Summer Camp\, High Sierra\, and Bonaroo where Rolling Stone named them among the festival’s “best kept secrets.” After a marathon near-decade run\, they enjoyed an almost year-long hiatus to realign and reenergize before reuniting with a new fire during 2019 and partaking in something of a “soft return.” \nAfter a brief hiatus to regroup and recharge their creative efforts\, Dopapod assembled what would become their next album\, the self-titled Dopapod\, and looked at the loose threads of their catalog to conceptually tie their journey together. They chose to self-title their seventh offering as a totem to the fact they’ve realized their full potential in terms of music and vision. Tackling time travel\, balance and symmetry\, binary pairs and more\, Dopapod’s palindromic existence continues to conjure alchemy nearly fifteen years into their journey. URL:https://www.high-noon.com/event/dopapod-2022/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/07/Dopapod-HNS-Web.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221026T200000 DTEND;TZID=America/Chicago:20221026T223000 DTSTAMP:20240329T022918 CREATED:20220816T180817Z LAST-MODIFIED:20220829T183630Z UID:7756-1666814400-1666823400@www.high-noon.com SUMMARY:Nerd Nite DESCRIPTION:Based on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. URL:https://www.high-noon.com/event/nerd-nite-3/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 CATEGORIES:Nerd Nite ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/02/NerdNite-Web.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221027T200000 DTEND;TZID=America/Chicago:20221027T230000 DTSTAMP:20240329T022918 CREATED:20220901T190305Z LAST-MODIFIED:20220907T150404Z UID:7830-1666900800-1666911600@www.high-noon.com SUMMARY:Lunar Moth EP Release DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nLunar Moth\, Madison’s Doom-Pop darlings\, takes its listeners on a journey\, floating through darkness. This dynamic trio forms a new fusion of Doom\, Garage\, and Psych with the amiable\, yet fierce vocals\, fuzzy guitar riffs combined with uncompromisable drum beats and distorted bass licks. \nLunar Moth creates a solstice for the audience amidst a chaos of distortion and reverb. URL:https://www.high-noon.com/event/lunar-moth-ep-release/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/png:https://www.high-noon.com/wp-content/uploads/2022/09/Web-Header.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221028T200000 DTEND;TZID=America/Chicago:20221028T233000 DTSTAMP:20240329T022918 CREATED:20220913T165948Z LAST-MODIFIED:20221028T211356Z UID:7852-1666987200-1666999800@www.high-noon.com SUMMARY:Emo Halloween DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nEyeliner\, angst\, and memories of MySpace. Prepare yourselves because Emo Halloween is BACK at High Noon Saloon! Get sad and spooky this fall with LIVE tribute sets to the best emo bands from the genre. Presented by Not A Phase\, Mom! this legendary lineup includes tributes to My Chemical Romance (The Black Parade/Star 67)\, The Cure (Mersey Brothers)\, Fall Out Boy (The Up & Up)\, and Paramore (Pink Halo). \nGet in the festivities and roll up in your best ghoul\, goblin\, or bangs\, eyeliner\, and black nail polish look for a chance at winning the costume contest! Winner will receive a package featuring merch from the bands & High Noon Saloon\, plus a $100 gift card from the High Noon Saloon! \n– Portion of Proceeds to Benefit To Write Love on Her Arms – URL:https://www.high-noon.com/event/emo-halloween-2/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/09/EmoHalloween-HNS-Web.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221029T193000 DTEND;TZID=America/Chicago:20221029T233000 DTSTAMP:20240329T022918 CREATED:20220923T202200Z LAST-MODIFIED:20220923T202200Z UID:7873-1667071800-1667086200@www.high-noon.com SUMMARY:Freakin' Halloweekend DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nSponsored By:\nMassage East\, Four Star Video\, Madison Mallards\, Klassy Kandy\, New World Horror\, Madison Forward\, Lost Lakes Tattoo\, B-Side Records\, 89.9 WORT FM\, and Madison Music Exchange URL:https://www.high-noon.com/event/freakin-halloweekend/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/09/Untitled-design-38.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221030T190000 DTEND;TZID=America/Chicago:20221030T190000 DTSTAMP:20240329T022918 CREATED:20220511T161552Z LAST-MODIFIED:20220510T190141Z UID:7455-1667156400-1667156400@www.high-noon.com SUMMARY:illuminati hotties DESCRIPTION:Based on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request.  Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\nABOUT ILLUMINATI HOTTIES \nAfter years of uncertainty including label disputes\, unpaid royalties and a surprise (and successful) album drop\,And she is ready to make some noise.  Her new album Let Me Do One More is three years in the making and Tudzin’s most defiant and accomplished record to date. Let Me Do One More is out now via Snack Shack Tracks (in partnership with Hopeless Records.) \nAfter the success of her debut album\, Kiss Yr Frenemies\, and coining the term “tenderpunk\,” illuminati hotties were on their way to recording and releasing a highly-anticipated sophomore album. However\, things at the label started to fall apart\, and illuminati hotties found themselves stuck in a contract with a label who didn’t have the infrastructure to put out the album the band had been crafting for months. “It felt like any momentum came to a screeching halt. It felt painful to pick up a guitar\, to write\, to record any loose ends that needed to happen to wrap up the album\,” Sarah recalls. \nWith the emotional turmoil and uncertainty building over the label situation\, Tudzin turned her focus to a new batch of songs that would become FREE I.H. Funneling all the raw feelings and letting go of any inhibitions\, illuminati hotties released the collection of songs\, carefully not defined as the “new album.” The critically-acclaimed\, fan favorite\, release closed the chapter on the label drama\, and opened up the band musically to a whole world of possibilities. \nThe positive response to FREE I.H. brought back the energy and intention that had seeped out after the label fallout\, and Sarah dove straight into the new album\, Let Me Do One More. According to Sarah\, “The songs tell a story of my gremlin-ass running around LA\, sneaking into pools at night\, messing up and starting over\, begging for attention for one second longer\, and asking the audience to let me do one more.” \nWith the album shaping up\, Sarah knew that she didn’t want to sign a traditional label deal anymore. After all the work to get herself back creatively\, she wanted to maintain as much autonomy and creative control as possible. She started an imprint label\, Snack Shack Tracks\, and partnered with Los Angeles-based\, independent label\, Hopeless Records. Together\, they’ve released Let Me Do One More to even more critical-acclaim from The New York Times\, Pitchfork\, Billboard\, Rolling Stone\, and American Songwriter to name a few. \nWhile FREE I.H. felt like an experimental conduit for self-expression at breakneck speed\, Let Me Do One More is the fully-realized creative vision of two years of ambition\, heartache\, uncertainty\, redemption\, and ultimately triumph. Sarah reflects\, “I love these songs and they’re a part of me and I’m proud of them.” \nThis IS the one you’ve been waiting for. \nABOUT ENUMCLAW \nEnumclaw is a rock band based in Tacoma\, WA composed of brothers Aramis and Eli and friends Nathan and Ladaniel. The four met playing shows in the Seattle-Tacoma area and bonded over their mutual love for Drake\, Nirvana\, and 90’s R&B. Despite having never played guitar or have any singing experience\, frontman Aramis has proclaimed that the band will be the biggest in the world. With critical acclaim from Pitchfork\, Gorilla Vs Bear\, Stereogum\, KEXP\, and others\, Enumclaw is on their way. Their debut EP Jimbo Demo came out late April 2021 via Youth Riot Records. \nABOUT GUPPY \nGUPPY is the brainchild of four mostly-self-taught musicians (J Lebow\, Marc Babcock\, Ian Cohen\, and Kabir Kumar)\, birthed in a sweltering Glendale garage circa 2017. Writer and guitarist/vocalist Lebow pairs laugh-out-loud absurdity with tender sentimentality\, building upon bouncy\, infectious rhythms by drummer Cohen and bassist Babcock\, all creating GUPPY’s signature sound. Kumar is the newest member and provides lead guitar and backing vocals. \nThe band’s lush\, sunny vocal harmonies led them to expand their musicality\, moving beyond their garage punk origins into the realms of power pop\, disco\, country\, and surf rock\, as can be heard on their newest album Big Man Says Slappydoo! produced by LA tenderpunk hero Sarah Tudzin (Illuminati Hotties). Tudzin brings GUPPY to a new level sonically\, building out whimsical bangers by weaving in sounds of theremin\, autoharp\, microwaves beeping\, and band members belching. This all adds to the lush landscape of Power Pop\, Surf\, Rock\, Country\, and Indie that makes up the GUPPYverse. When asked what genre they play\, the band responds candidly – Secular Guitar Music. \nGUPPY has carved a deep niche for themselves in the LA punk scene with their energetic and joyous live shows\, playing with the likes of Cheekface\, Rosie Tucker and Sports Team. GUPPY is your friend\, and GUPPY is the future. You don’t even need to keep your ear out for this band because they are actually right behind you. Haha got you. \n  \n  URL:https://www.high-noon.com/event/illuminati-hotties/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/05/IlluminatiHotties-HNS-WEB.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221031T200000 DTEND;TZID=America/Chicago:20221031T233000 DTSTAMP:20240329T022918 CREATED:20220920T154540Z LAST-MODIFIED:20220927T210019Z UID:7871-1667246400-1667259000@www.high-noon.com SUMMARY:HalloWEEN with Warm Wet Rag DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nSix musicians from various bands paying tribute to the glorious music of Ween. As die hard worshippers of the boognish\, they try to re-create the live Ween experience as authentically as possible\, and have a great time in the process! URL:https://www.high-noon.com/event/halloween-with-warm-wet-rag/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/09/HalloWEEN-HNS-Web.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221101T200000 DTEND;TZID=America/Chicago:20221101T233000 DTSTAMP:20240329T022918 CREATED:20220826T170055Z LAST-MODIFIED:20221020T180554Z UID:7804-1667332800-1667345400@www.high-noon.com SUMMARY:Starcrawler DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\nStarcrawler are a rock band for a new generation. Best known for their explosive live shows\, the 5-piece band consists of full-throttle frontwoman Arrow De Wilde\, guitarist Henri Cash and brother Bill Cash on pedal steel/guitar\, drummer Seth Carolina\, and bassist Tim Franco.  With two studio albums under their belts\, their upward trajectory continues to roll full steam ahead in 2022 with the release of their brand-new single\, “Roadkill.” Fully leaning into their own epic vision of a contemporary Hollywood Babylon\, they’ve morphed into a modern-day take on LA legends X\, with a sprinkle of The Go-Go’s\, a smattering of The Distillers and some Rolling Stones sleaze thrown in for good measure. Since their early days\, Starcrawler have won the love of such legendary artists as Shirley Manson\, Elton John\, Iggy Pop\, Jack White\, Dave Grohl\, and more all while opening for the likes of Jack White and My Chemical Romance\, and previous support slots with luminaries such as Beck\, Foo Fighters and Spoon among others. Now embarking on a new ‘era’\, Los Angeles’ most thrilling rock’n’roll collective are as raw and hungry as ever\, but refined\, refreshed and ready to take on whatever’s thrown at them. URL:https://www.high-noon.com/event/starcrawler/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/png:https://www.high-noon.com/wp-content/uploads/2022/08/CM_STARCRAWLER-02.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221102T200000 DTEND;TZID=America/Chicago:20221102T230000 DTSTAMP:20240329T022918 CREATED:20220901T215230Z LAST-MODIFIED:20220901T215230Z UID:7834-1667419200-1667430000@www.high-noon.com SUMMARY:The Furious BongosPlay the Music of Frank Zappa DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nThe Furious Bongos are comprised of a diverse selection of accomplished musicians from all over the country (plus a drummer from Sweden)\, including Madison-area favorites Lo Marie and Conrad St. Clair. URL:https://www.high-noon.com/event/the-furious-bongosplay-the-music-of-frank-zappa/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/09/TheFuriousBongos-HNS-Web.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221103T193000 DTEND;TZID=America/Chicago:20221103T230000 DTSTAMP:20240329T022918 CREATED:20220927T202210Z LAST-MODIFIED:20221101T235302Z UID:7893-1667503800-1667516400@www.high-noon.com SUMMARY:[CANCELLED] Loving Cup: Rolling Stones Tribute DESCRIPTION:Update: Unfortunately\, Loving Cup has to cancel this show due to unforeseen circumstances. We are working on rescheduling so stay tuned for a new date! \n  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nLoving Cup is a Madison-based Rolling Stones Tribute band. The 8-piece group\, complete with horn section\, represents some of Madison’s best known musical talent\, including members from VO5\, Swamp Thing\, Lynda & The Zeros\, The Periodicals\, and The Ramble. The group prides itself on faithfully recreating the Stones tracks\, which has put them on stages at AtwoodFest\, Waterfront Fest\, etc. Simply stated\, regardless of your knowledge of the Stones…this band will blow you away. \nIn 1972\, the Rolling Stones released the 18-song\, double-album\, Exile On Main St. That makes 2022 the 50th anniversary of the album. Exile contains frequently performed concert staples and was a number one charting album in six countries. It spawned hit songs like “Happy\,” the country music ballad “Sweet Virginia\,” and worldwide top-ten hit “Tumbling Dice.” The album is viewed by many critics as the Rolling Stones’ best work. In 2020\, Rolling Stone magazine listed the album at #14 on its list of the 500 Greatest Albums Of All Time (the highest ranked Stones album). In 2012\, the album was inducted into the Grammy Hall of Fame. \nIn celebration of the 50th anniversary of Exile On Main St\, Loving Cup will play the album in its entirety\, front to back\, followed by a set of hits and hidden gems. Whether you’re a mega fan or need to rediscover the Rolling Stones\, this is a show not to be missed. URL:https://www.high-noon.com/event/loving-cup-rolling-stones-tribute-2/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/09/LovingCup-HNS-WEB.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221104T200000 DTEND;TZID=America/Chicago:20221104T233000 DTSTAMP:20240329T022918 CREATED:20220719T160006Z LAST-MODIFIED:20221024T201703Z UID:7651-1667592000-1667604600@www.high-noon.com SUMMARY:Kitchen Dwellers and Daniel DonatoGalaxy Grass x Cosmic Country Fall Tour DESCRIPTION:Based on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request.  Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\nABOUT KITCHEN DWELLERS \nAmong the many natural wonders in Montana\, Wise River runs for about 30 miles through the Southwestern region of the state\, cutting through the mountains and flowing into the Big Hole River. Beyond being a favorite spot for fly fishermen\, it remains etched into the topography of the land itself.  Two hours away in Bozeman\, Kitchen Dwellers equally embody the spirit and soul of their home with a sonic palette as expansive as Montana’s vistas. The quartet—Shawn Swain [Mandolin]\, Torrin Daniels [banjo]\, Joe Funk [upright bass]\, and Max Davies [acoustic guitar]—twist bluegrass\, folk\, and rock through a kaleidoscope of homegrown stories\, rich mythology\, American west wanderlust\, and psychedelic hues. After amassing 5 million-plus streams\, selling out shows\, and receiving acclaim from Huffington Post\, Relix\, American Songwriter\, and more\, the group brings audiences back to Big Sky Country on their third full-length album\, Wise River\, working with Cory Wong of Vulfpeck as producer. \n“Since we weren’t on the road due to COVID-19\, the music we wrote was different\,” Max reveals. “It was more introspective. There were a lot of ties to Montana.” \n“For the first time\, we were all home for 365 days in a row\, which hasn’t happened in ten years\,” adds Shawn. “We were thinking of the quieter lifestyle encapsulated in the area. That comes through.” \n“In the past\, our songs would touch on the physical aspects of the state or reference its history and nature\,” says Torrin. “These songs are more introspective\, because they come from the perspective of actually being in one place. The vibe is a little more serious—given the weirdness of the past year and the shit everyone has been dealing with. Our little corner of the world has always delt with hard winters\, but the whole world felt it in 2020.” \nAt the same time\, their music continues to resound beyond that little corner. They’ve captivated audiences at hallowed venues such as Red Rocks Amphitheatre and performed alongside everyone from Railroad Earth and Twiddle to The Infamous String Dusters in addition to playing festivals such as Northwest String Summit\, WinterWonderGrass\, and more. They’ve released two critically acclaimed albums—Ghost In The Bottle [2017] and Muir Maid [2019]—and a live record\, Live from the Wilma [2021]. They broke up 2020 with an EP of Pink Floyd covers entitled Reheated\, Vol. 2. It was heralded by a two-night livestream concert\, Live From The Cabin\, beamed out to audiences from the Bridger Mountains. Additionally\, they appeared at the Live From Out There virtual festival and even took over a drive-in movie theater for an in-person gig in between regular writing sessions together throughout the year. \nIn order to bring the new tunes to life\, they recruited Cory behind the board as producer. Holing up at Creation Studios in Minneapolis\, they recorded Wise River in just four days. \n“Cory brought a little more orchestration\,” Shawn reveals. “He helped us really think differently and evolve the sound as a band.” \nOn the single and title track “Wise River\,” banjo brushes up against acoustic guitar as visuals of a “lonely river town where the barfly knows you best\,” “the ghosts of miners\,” and a place “where the snow can fall like cannonballs and lonesome wind blows bitter.” \n“The town of Wise River is basically a forgotten spot on the map\,” Shawn says. “It used to be a thriving place with many prosperous mines\, but now it’s practically dried up. There’s a hell of a lot of melancholy. In our mind\, it symbolizes the overall feeling of being in slowed-down Montana life.” \nMeanwhile\, “Stand At Ease” gallops along on nimbly strummed banjo and bright piano towards a chanting chorus\, “I can’t stand to see what you’ve done to be free.” \n“That one is based on the mental health issues in the music industry coming to light over the past couple of years\,” Joe reveals. “It’s about losing a lot of our friends and idols.” \n“Paradise Valley” surveys the landscape as the lyrics visit the remnants of underground bunkers once occupied by a doomsday cult in the north. The finale “Their Names Are The Trees” recants another true story of tragedy in the wilderness. \n“A good friend of ours is a wildland firefighter\,” Shawn goes on. “He was stationed out in Oregon on the Beachie Creek Fire\, which destroyed maybe three towns and killed several people. One night\, they were 15 miles back from the fire line. They wondered where the fire had moved in the wind\, but it overtook their camp\, the entire town they were stationed in\, and wiped it out. Several people didn’t make it.” \nIn the end\, Kitchen Dwellers share timeless American stories from the heart of one of its greatest treasures. \n“When you listen to Wise River\, I hope you hear some of the original qualities that made us who we are\, but you also recognize aspects that are new and adventurous\,” Max leaves off. “If you go to a studio with a whole new batch of songs\, it should never be the same as the last time. I hope you hear what it sounds like when the four of us are at home and have the space to create something together. This album is really how we sound as a band.” \n\nABOUT DANIEL DONATO \nWhen people first meet Daniel Donato\, they’re not fully braced for this walking tornado of creative energy. “They think there’s something that tips the scale in ways they don’t understand\,” says Donato about his over-the-top\, slightly manic vibe. “But what actually tips the scale is the amount of thought and analysis I put into my work and art\, all of which is taken from the lessons of my life.” \nDonato\, a 25-year-old Nashville native\, has distilled those life lessons into his debut album\, A Young Man’s Country\, his proper introduction to the general musical audience. Recorded at Nashville’s Sound Emporium in a mere two days and produced by guitar-ace Robben Ford\, the record weaves outlaw country\, Grateful Dead-style Americana\, and first-rate songwriting into a singular form Donato calls “21st-century cosmic country.” \nIt might surprise some that the Telecaster-wielding wunderkind\, who at 16 became the youngest musician to regularly play the iconic honky tonk Robert’s Western World while gigging with the Don Kelley Band\, began his musical journey in a purely millennial fashion. Before he ever picked up a guitar\, he discovered he had an aptitude for music via the video game Guitar Hero. At the time\, he didn’t feel compelled to try his hand at the real thing until one day\, about the age of 12\, he heard the electric perfection of Guns ‘N’ Roses’ “Paradise City” blast from a set of speakers and his world was changed forever. \n“It was the first time I ever had a vision for my life\,” says Donato\, who was partly drawn to music because he sucked royally at skateboarding. “I then took one of my dad’s old guitars . . . and I literally fell in love with it.” From then on\, Donato lived and breathed music\, practicing his chops around the clock. He’d play before school\, during his lunch break\, and in the evenings at home\, sometimes falling asleep with the six-string in his hands. \nIt wasn’t long before he was busking on lower Broadway in Nashville\, playing eight hours a day on weekends for tips. It was after one of those day’s sessions that he got a wild hair and snuck into Robert’s on a night when house act the Don Kelley Band was playing and his wig-dome was blown. “It was the first time I ever saw a band that was that good up close\,” Donato said. “So I’m literally watching them play and I’m crying. I decided right then that I wanted to be the best guitar player in the world.” \nDonato continued busking outside arenas before John Mayer and Phish concerts and on the streets of Nashville and it was then\, while playing on Broadway\, that he’d give Don Kelley his business card every Saturday night\, hoping for a chance to audition. One day\, while still a junior in high school\, he got the call to come play. Donato was more than ready\, and he delivered the goods in spades. He was so good\, in fact\, that he became a regular member of the band\, performing four nights a week for more than 450 shows with the group. \nPlaying nightly with the Don Kelley Band was a formidable education for the young musician. Jamming regularly with Nashville’s most seasoned players\, stalwart pickers who may have played in Buck Owens’ band\, or Dolly Parton’s\, or Alan Jackson’s\, expanded his musical vocabulary while honing his stage presence. Along the way he was soaking up stories of adventures on the road and learning about the ups and downs of the music business. In short\, he was gaining priceless life lessons and a musical education from wells that run deep into the musical history of Nashville. \nAround the time he turned 18\, one of Donato’s high-school teachers\, a serious music lover who had seen his student play at Robert’s\, gave him a Grateful Dead box set. It was another eureka moment for the guitarist. His love for the Dead may have been ignited much earlier by virtue of the fact that his mother was a bona fide Deadhead who followed the group on tour when she was pregnant with the future guitarist\, but it was that collection that changed the way he looked at music. “It gave me a tie to all of the classic country gold I’d been working down at the honky-tonks each weekend\,” he said. “Grateful Dead and Merle Haggard had always lived in my heart\, but now\, the link was made\, and I had a vision on how to keep it alive for this generation that I am coming from.” \nDuring the days of his Robert’s residency\, Donato continued to busk at various locales\, even playing the Grand Ole Opry\, and it is the sum of all these gigs\, experiences any teenage musician would kill for\, that inform the sounds on A Young Man’s Country. \n“Ain’t Living Long Like This\,” one of three covers on the album\, is a song by Waylon Jennings\, who was recording at the Sound Emporium the day Donato was born. “Angel From Montgomery\,” a song Donato learned on the fly while busking for tourists\, pays tribute to the late John Prine. Donato recorded his unique take on the tune before Prine’s death. The Grateful Dead’s “Fire On The Mountain” is tacked on to “Meet Me In Dallas\,” a tune Donato wrote while on the road with Paul Cauthen. The other seven songs\, all originals\, showcase the promise of a young songwriter coming into his own\, one of the highlights being “Luck of the Draw.” \nThe message of these songs contain the central tenet of Donato’s “Cosmic Country” ethos\, which is about finding the courage to blaze your own path. As such\, it is an ethos the artist extends beyond music into the channels of social media\, where he’s built up a huge following of devoted “DD Heads\,” as his fans call themselves. His podcast\, “Daniel Donato’s Lost Highway\,” brings together like-minded creatives to get at the heart of what makes artists tick\, for which he’s interviewed Brothers Osborne\, Brent Cobb\, Orville Peck\, and Garry Talent of Bruce Springsteen’s E Street Band. \nIncubated to the sounds of the Dead\, educated by some of Nashville’s finest players\, and having more than 2\,000 shows under his belt and a social media presence\, Daniel Donato is indeed a millennial whirligig of creative fire. He’s been dabbling in professional music since the age of 14 and yet he’s just getting started. A Young Man’s Country is the portrait of a restless artist as a young man\, one whose story is singular and is still in its exciting\, early chapters — and as this effort shows\, the future is indeed cosmic. \n\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request.  Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. URL:https://www.high-noon.com/event/kitchen-dwellers-and-daniel-donato/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/07/KitchenDwellers-HNS-web.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221105T180000 DTEND;TZID=America/Chicago:20221105T223000 DTSTAMP:20240329T022918 CREATED:20220913T163758Z LAST-MODIFIED:20220915T221841Z UID:7858-1667671200-1667687400@www.high-noon.com SUMMARY:Wisconsin Doomed & Stoned DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nThe Well\nA heavy psych rock/proto-metal power trio based out of Austin\, Texas\, the Well’s lethal blend of knotty prog\, punk\, and bluesy doom rock invokes names like Black Sabbath\, Electric Wizard\, Sleep\, and Uncle Acid & the Deadbeats. Citing a desire “to blend different musical styles as diversified as Joy Division to Blue Cheer”\, the band\, which consists of Ian Graham\, Lisa Alley\, and Jason Sullivan\, came together in 2012 out of a shared love for extreme music\, cult horror films\, and dark mysticism. \nMothership\nSupersonic intergalactic heavy rock trio Mothership based out of Dallas\, Texas give a real sense of hope that all is well in the universe\, and that pure honest rock and roll has once again returned to this planet on a mission to unite true believers. Consisting of brothers Kyle Juett on bass/lead vocals\, Kelley Juett on guitar/vocals\, and Judge Smith on drums\, these guys have created a unique sound that satisfies like a steaming hot stew of UFO and Iron Maiden\, blended with the southern swagger of Molly Hatchet and ZZ Top\, paired with a deadly chalice of Black Sabbath. \nDruids\nFormed in 2008\, Des Moines\, Iowa’s metal trio\, Druids\, set out to create music that was loud\, crushing and beautiful\, while painting lush\, vast pathways for imaginative soundscapes. With the new album titled “Shadow Work” and a 2022 tour alongside Planet of Zeus\, the future looks plentiful and bright for the band. \n20 Watt Tombstone\n20 Watt Tombstone are Wausau\, Wisconsin’s hard-touring death blues saviors. Their sound blends ZZ Top’s tell-tale grit with Kyuss’s mood and timbre. Toss in a little Robert Johnson and Black Flag for some spice\, and you have the perfect recipe for dusty\, doomy goodness. \nSponsored by Doomed & Stoned Official\, Toke Mage\, Aftershock Classic Arcade\, Max Ink Radio\, The Mosh Pit on 89.9 WORT\, Jake The Snake Foster on 91.7 WSM\, and TheSpaceship.tv \nVIP tickets include meet & greet at Aftershock Classic Arcade\, exclusive balcony access\, and a swag bag including a signed poster URL:https://www.high-noon.com/event/wisconsin-doomed-stoned/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/png:https://www.high-noon.com/wp-content/uploads/2022/09/DS-Web.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221110T080000 DTEND;TZID=America/Chicago:20221110T170000 DTSTAMP:20240329T022918 CREATED:20221114T160018Z LAST-MODIFIED:20221110T165745Z UID:8002-1668067200-1668099600@www.high-noon.com SUMMARY:Adam Greuel & The Space Burritos DESCRIPTION: URL:https://www.high-noon.com/event/adam-greuel-the-space-burritos/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221110T193000 DTEND;TZID=America/Chicago:20221110T223000 DTSTAMP:20240329T022918 CREATED:20221018T185400Z LAST-MODIFIED:20221018T185427Z UID:7929-1668108600-1668119400@www.high-noon.com SUMMARY:The Get Happy (Elvis Costello Tribute) DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  URL:https://www.high-noon.com/event/the-get-happy/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/10/GetHappy-HNS-WEB.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221111T193000 DTEND;TZID=America/Chicago:20221111T233000 DTSTAMP:20240329T022918 CREATED:20220913T150052Z LAST-MODIFIED:20220916T161741Z UID:7854-1668195000-1668209400@www.high-noon.com SUMMARY:Henhouse Prowlers DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nTHE HENHOUSE PROWLERS ARE BLUEGRASS AMBASSADORS. \nFounded over 16 years ago with the simple desire to play original and powerful bluegrass\, this quartet now finds themselves at the intersection of performance\, diplomacy and education. \nThe Prowlers have now been to more than 25 countries across the globe\, working with the U.S. State Department and under their own nonprofit\, Bluegrass Ambassadors – incorporating music from Africa\, Asia\, the Middle East and more into their already robust repertoire of unique traditional American music. \nOn stage\, in workshops and wherever they are\, the Henhouse Prowlers find and spread the commonality we share as human beings through the universal language of music. \nYOU CAN FEEL IT AT EVERY SHOW. URL:https://www.high-noon.com/event/henhouse-prowlers/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/09/HenhouseProwlers-HNS-900x600-WEB.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221112T200000 DTEND;TZID=America/Chicago:20221112T233000 DTSTAMP:20240329T022918 CREATED:20221003T140017Z LAST-MODIFIED:20221003T145856Z UID:7897-1668283200-1668295800@www.high-noon.com SUMMARY:Remain In Night DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nRemain in Night returns for another unforgettable evening of psychedelic techno. Come explore the rhythms and textures of the night within our totally transformed space while immersing yourself in a world class VOID sound system. Our headliners for this edition are two of our absolute favorite underground legends\, Mike Servito & Carlos Souffront. We also have a very special opening set from two of our favorite up and coming US talents and proven psychedelic weavers\, Fabiola & Lorelei. \nSet times: \n8pm – Fabiola & Lorelei\n10pm – Carlos Souffront\n12am- Mike Servito \nBrought to you by the same crew behind the dance tent at La Fete de Marquette. \nSign up for our new mailing list @ remaininnight.com\nFollow us on Instagram @remaininnight URL:https://www.high-noon.com/event/remain-in-night-3/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/09/mike-servito.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221113T120000 DTEND;TZID=America/Chicago:20221113T130000 DTSTAMP:20240329T022918 CREATED:20220815T150015Z LAST-MODIFIED:20220912T171030Z UID:7737-1668340800-1668344400@www.high-noon.com SUMMARY:The Rock and roll Playhouse plays Music of Phish for Kids DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 12″x 6″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nThe Rock and Roll Playhouse\, a family concert series hosted at historic music venues across the country\, allows kids to “move\, play and sing while listening to works from the classic-rock canon” (NY Times). Performing songs created by the most iconic musicians in rock history\, The Rock and Roll Playhouse band offers its core audience of families with children age ten and under games\, movement\, stories and an opportunity to rock out in an effort to educate children and explore their creativity. The Rock and Roll Playhouse is an early and often first introduction to a child’s lifelong journey with live music and rock and roll. See you at the show! \nThis concert for kids and families shares the music of the artist named above with a new generation of music lovers\, but is not associated with or endorsed by the artist. All children must be accompanied by a parent or adult caregiver. \nThe Rock and Roll Playhouse knows that little ears are sensitive\, so we turn down the volume at our shows. However\, all kids experience music differently and you may find that your child is more comfortable wearing hearing protection earmuffs\, such as Baby Banz\, which are available for purchase here. URL:https://www.high-noon.com/event/the-rock-and-roll-playhouse-playsmusic-of-phish-for-kids/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 CATEGORIES:Rock and Roll Playhouse ATTACH;FMTTYPE=image/png:https://www.high-noon.com/wp-content/uploads/2022/08/20221113_phish_highNoonSaloon_900x600.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221113T190000 DTEND;TZID=America/Chicago:20221113T230000 DTSTAMP:20240329T022918 CREATED:20220824T150022Z LAST-MODIFIED:20220824T145013Z UID:7794-1668366000-1668380400@www.high-noon.com SUMMARY:We Are The Willows DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 6.5″ x 4.5″ x 1″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n  \nWe Are The Willows is the art pop project of Minneapolis based singer/ songwriter/ producer Peter M. His unique countertenor voice is often supported by Jeremiah Satterthwaite (guitar)\, Travis Collins (bass/ voice)\, Hilary James (cello/ voice)\, and Josh McKay (drums).  Whether as a band or a solo artist\, We Are The Willows crafts dynamic songs with a contemplative air. The songs cover a lot of conceptual ground: from family history to modern social life and personal identity. \nWe Are The Willows has been releasing music since 2007.  The most notable release\, Picture (Portrait)\, a 20 song\, two part concept album based on letters written between Miller’s Grandparents during World War II\, garnered praise from NPR\, the BBC\, NOISEY\, PASTE magazine\, Buzzfeed\, The Brooklyn Vegan\, and USA Today.  Between 2009 and 2017 the band toured a great deal\, including showcasing at SXSW\, Treefort Music Fest\, Summerfest\, and supporting slots with Blitzen Trapper\, S. Carey\, PHOX\, and Matt Pond PA. \nIn the summer of 2020\, the band released their third full length record: Who We Are & Where We Are Now.  This album finds the band with more clarity\, consideration\, and sense of self.  These songs are about processing depression\, anxiety\, the nature of love\, and identity. This album is a testament to getting better for the people and things you love.  It’s an acceptance that there is no arrival point\, there’s only who we are & where we are now. URL:https://www.high-noon.com/event/we-are-the-willows/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/08/WATW-FULL-BAND.PETER-M-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221114T193000 DTEND;TZID=America/Chicago:20221114T213000 DTSTAMP:20240329T022918 CREATED:20220819T161607Z LAST-MODIFIED:20220819T161607Z UID:7781-1668454200-1668461400@www.high-noon.com SUMMARY:The Moth Madison StorySLAM: LEFTOVERS DESCRIPTION:  \n\nCOVID-19 POLICY\nProof of vaccination or proof of negative COVID test within 72 hours of the SLAM will be required for entry. NAME ON VACCINATION CARD MUST MATCH YOUR ID. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 12″x 6″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\n \nLEFTOVERS: Prepare a five-minute story of what remained. Feelings\, dinners\, or lingering guests; the time there was too much or not quite enough; or the moment you couldn’t quite end things clearly. Cold pizza for breakfast\, the last appetizer on the plate\, family heirlooms\, seeds of resentment. URL:https://www.high-noon.com/event/the-moth-madison-storyslam-leftovers/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 CATEGORIES:The Moth ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/01/TheMoth-Web.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221115T200000 DTEND;TZID=America/Chicago:20221115T233000 DTSTAMP:20240329T022918 CREATED:20220817T150030Z LAST-MODIFIED:20221004T205319Z UID:7750-1668542400-1668555000@www.high-noon.com SUMMARY:Adam Ezra Group DESCRIPTION:  \n\nCOVID-19 POLICY\nBased on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\n\nBAG POLICY\nSmall personal clutches / purses / fanny packs (max size 12″x 6″) or clear plastic / vinyl / PVC bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed.  We encourage you to pack light with only the necessities to make the entry process as smooth as possible.  Exceptions will be made for necessary medical equipment and bags for nursing mothers. \n\n\nPAYMENT POLICY\nWe are a cashless facility meaning that we are unable to accept cash as a form of payment. Our Box Office and Coat Check will only accept credit and debit. Our Bars will only accept credit\, debit\, Apple Pay\, and Google Pay. Please note that artist merchandise sales are separate and may still accept cash. \n\nAdam Ezra felt alone. It was March of 2020\, and as the COVID-19 pandemic began tightening its deadly grip across the United States\, the roots rock stalwart found himself forced off the road for the first time in years\, stuck at home with a calendar full of cancelled tour dates and no one to perform for. Concerned by the chaos unfolding around him but certain he wasn’t the only one in search of some kind of solace\, Ezra decided to pick up his guitar\, turn on his phone\, and do what he’d always done in times of worry or doubt: play a show. \n“I just started livestreaming from my house\,” Ezra recalls. “It was a way to connect with people\, to feel a little less lost\, a little less scared. I played and talked for about an hour\, and then at the end of the stream\, I told everybody\, ‘I’ll come back tomorrow if you come back tomorrow.’” \nEzra kept his promise and then some\, returning every single night after that for what he and his fans would eventually come to call The Gathering Series. Interactive and improvisatory\, the shows took shape on the fly\, drawing on daily life and frequently featuring newly written material and never performed songs from Ezra’s extensive back catalog. Through his own harrowing battle with COVID\, a move to the Mojave Desert\, a socially distanced summer tour\, and even his wedding day\, Ezra never missed a performance\, broadcasting without fail from wherever he found himself each night at 7pm Eastern. Driven by a belief that small grassroots communities have the power to impact the world\, Ezra – who has gone live daily since March 13th 2020 – has reached a cumulative audience of well over 15 million viewers worldwide\, a staggering feat for any artist that stands as a testament\, not only to his artistic endurance\, but also his ability to provide an accepting and supportive space for newcomers joining his tight-knit community of fans during a time when it’s needed more than ever. \n“The people who watch every night\, they’re tuning in for me\, but they’re also tuning in for each other\,” says Ezra. “They’re tuning in for comfort and compassion and connection\, but maybe also a sense of normalcy and grounding during this time that seems to be shaking the very foundations of who we’ve always thought we were. As special as The Gathering Series is\, I don’t think it could have achieved this kind of success if we didn’t have this incredible fan community around us that is inspired by engagement and activism.” \nWorking outside the confines of the traditional music industry\, Ezra and his band\, the Adam Ezra Group\, built that foundation through sheer grit and determination\, regularly performing hundreds of shows a year for the past two decades without any major label or mainstream radio support. Fusing folk intimacy and rock energy with soul power and pop charm\, the band first emerged from Boston in the early 2000s and quickly garnered widespread acclaim for their bold\, insightful songwriting and interactive\, euphoric performances. From hole in the wall bars and house concerts to sold-out headline shows and dates with the likes of Little Big Town\, The Wallflowers\, Gavin DeGraw\, Train\, and The Wailers\, Ezra and his bandmates treated every single gig like their last\, attracting a die-hard following that believed not just in the music\, but in their commitment to activism and social change\, as well. Charity events and fundraisers were a regular part of the group’s touring schedule\, and each year\, thousands of Adam Ezra Group fans would gather in Boston for the band’s homegrown festival\, The Ramble\, which raised money and marshaled resources to help homeless veterans find safe and dignified housing. \n“With the pandemic raging\, 2020 was going to be the first time in ten years that we couldn’t host a Ramble\,” says Ezra\, “so we decided to incorporate it into The Gathering Series and put on a 24-hour\, non-stop livestream. It was a crazy idea\, but by the end of it\, we had tens of thousands of people rambling with us from around the world and we’d broken our previous fundraising record\, collecting enough money to help 64 of our veteran heroes off the streets.” \nWhile that 24-hour livestream was undoubtedly the most taxing installment of The Gathering Series\, finding ways to broadcast a new\, unscripted hour of live music every night for a year was rarely easy. In April of 2020\, Ezra came down with COVID and found himself so weak he could barely get out of bed to perform. In May of 2020\, he and his wife traded Massachusetts for the Mojave\, setting up a temporary home base in a cabin outside Joshua Tree\, where Ezra would continue to stream daily from the desert. In the warmer months\, he and the band cooked up a way to bring The Gathering Series to the real world\, performing nearly 100 safe\, socially distanced shows in parks and backyards around the country while still managing to go live every night at 7pm. \nApart from the emotional and physical commitment\, playing every night hasn’t been without its logistical challenges as well. “I remember one night I was in a hotel\, and the WiFi went out\,” says Ezra. “I jumped in the van and just started driving until I found service\, and then I pulled over and played the show right there on the side of the road from the driver’s seat. Turned out to be one of my favorite memories looking back on the year.” \nAs if over 500 shows since the pandemic started isn’t enough to keep them busy\, Ezra and his bandmates—fiddler Corinna Smith\, drummer Alex Martin\, and bassist Poche Ponce—also embarked on an ambitious new recording series in 2020. Dubbed The Album Project\, the endeavor will see the band releasing at least 19 new singles over the next few years\, trading in the traditional LP format for a steady flow of fresh material designed to keep their ever-expanding community active and engaged even beyond the pandemic. The series opened up\, fittingly enough\, with “All Right Today\,” an effervescent\, feel-good ode to putting one foot in front of the other\, to living in the moment and leaning on one another to get through our hardest times. \n“I wrote that song years before COVID\,” says Ezra\, “but that line\, ‘We will be all right today\,’ kept coming back to me through this whole experience. It felt like a mantra I continue to lean on right now and the right way to kick this whole thing off.” \nIn celebration of their 365th Gathering show\, Ezra and the band followed that release up with The Album Project’s second installment\, “Switching To Whiskey\,” which hints at old-school country and Appalachian folk as it meditates on the power of heartbreak and memory. Like much of Ezra’s catalog\, the bittersweet track is intimate and organic\, fueled by stripped-down\, acoustic instrumentation and the kind of raw\, honest vocals that cut straight to the heart of things.  “Switching to Whiskey” has well over 225K streams on Spotify\, and a new music video on YouTube. \n“As soon as we started playing that one live\, it became one of our most-requested\,” says Ezra. “And the beauty of The Album Project is that when our fans are really connecting to something\, we can just record it and get it right out to them\, because they’re truly the engine behind everything we do.” \nThe third release from the project “Devil’s Kiss” released in May 2021\, and focuses on Ezra’s reaction to the Covid-19 pandemic\, and all of the challenges everyone has faced over the past year. \nWhat comes next for the Adam Ezra Group? They have started another socially distanced tour and have geared up to start a full routed tour again in June 2021. Perhaps another 24-hour livestream will be in the works? Perhaps something even crazier. The future is anyone’s guess right now\, and the only thing the Adam Ezra Group knows for sure\, is they’ll be out there making music however and whenever they can. URL:https://www.high-noon.com/event/adam-ezra-group/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/08/AEG-HNS-900x600-WEB.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20221116T200000 DTEND;TZID=America/Chicago:20221116T200000 DTSTAMP:20240329T022918 CREATED:20220606T160019Z LAST-MODIFIED:20220809T201900Z UID:7560-1668628800-1668628800@www.high-noon.com SUMMARY:King Buffalo DESCRIPTION:Based on the latest local guidelines\, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request.  Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change. \n\nABOUT KING BUFFALO \nKing Buffalo is the trio of vocalist/guitarist Sean McVay\, bassist Dan Reynolds\, and drummer Scott Donaldson. Since forming in 2013\, the self-proclaimed “heavy psych” band has made its name via 4 Full-lengths\, 4EPs\, and tours with Clutch\, Uncle Acid and the Deadbeats\, All Them Witches\, The Sword\, and Elder. \nKing Buffalo will issue their fifth full-length\, Regenerator\, on Sept. 2\, 2022\, as a self-release in North America and through Stickman Records in Europe. Preorders will be available on June 10th via http://kingbuffalo.bigcartel.com. \nWritten and recorded by the band with mixing and engineering by Sean McVay and mastering by Bernie Matthews\, the seven-song outing is the third in King Buffalo’s stated ‘pandemic trilogy\,’ following Two of 2021’s Best Albums in The Burden of Restlessness and Acheron. \nBoth of those albums – like 2018’s Longing to Be the Mountain\, 2016’s debut\, Orion\, and the various EPs and other offerings they’ve made over the last eight years – made bold declarations about who King Buffalo are as a band\, and Regenerator is no different. As McVay\, Reynolds and Donaldson continue to explore the outer reaches of modern psychedelic songcraft\, melding progressive rhythms\, drifting atmospheres and accompanying surges of electricity\, the new collection only further establishes them as one of the brightest lights shining in underground rock today. \nAs the third of three\, Regenerator seems inherently to tie together the two LPs most immediately before it\, and as King Buffalo unfold the leadoff title-track across nine and half minutes\, it becomes clear just how truly they have marked out their own sonic presence. The later melodic highlight “Mammoth” – with McVay’s most confident vocal yet – shimmers with hope that somehow doesn’t come across as desperate\, and as “Hours” engages classic space rock and the closing “Firmament” summarizes the first\, second and third series installments\, the final chapter of this trilogy becomes the essential cornerstone of King Buffalo’s work to-date. \nThe band returned to live activity late last year\, touring alongside Clutch and more recently a full North American spring tour with Uncle Acid and the Deadbeats. By the time Regenerator arrives\, they will have completed a UK and European headlining tour with festival appearances in Germany\, the Netherlands\, Austria\, Switzerland\, Portugal\, Belgium and Denmark. \nKing Buffalo \nWebsite / Facebook / Bandcamp \n  \n  URL:https://www.high-noon.com/event/king-buffalo/ LOCATION:High Noon Saloon\, 701 East Washington Avenue\, Madison\, 53703 ATTACH;FMTTYPE=image/jpeg:https://www.high-noon.com/wp-content/uploads/2022/06/KingBuffalo-HNS-Web.jpg END:VEVENT END:VCALENDAR