Caroline Rose

Please note that High Noon Saloon, Majestic Theatre, Orpheum Theater, and The Sylvee are requiring all fans to provide proof of a negative COVID-19 test within 72 hours OR full vaccination for entry to all events at the venue moving forward. Additional policies may apply on a show-by-show basis. More details available here.

Doors at 7:00 pm | Show at 8:00 pm

ABOUT CAROLINE ROSE

Superstar is an underdog story, and one not far off from Caroline Rose’s real life. After a years-long struggle to release what would ultimately become 2018’s LONER, deemed “a singular artistic statement from it’s unforgettable album art all the way down” (Pitchfork), Rose found herself in the midst of a new widespread audience, one both delightfully intrigued and perplexed about how and where to place her. That, combined with a developed set of studio skills and a challenge to “make something from nothing,” marked the beginning of Superstar. Gone are the polished Hollywood hunks and starlets of olde. Here is a shamelessly odd hero, or rather anti-hero, on a quest to become a someone. 

Inspired by cult classics such as The Bitter Tears of Petra Von Kant, Mulholland Drive and the mockumentary Drop Dead Gorgeous, Superstar plays out like a film with a beginning, middle, and an open ending. In album opener “Nothing’s Impossible,” the protagonist receives a mistaken phone call from the glamorous Chateau Marmont hotel. Taking the call as a sign toward a star-studded future, they (gender neutral pronoun) leave behind everything in pursuit of a newly established destiny. 

What ensues is a cinematic paradox that in one moment finds them strutting down a neon strip in full Saturday Night Fever hip-swing donned in their finest threads, and the next sipping a dirty martini at the rundown apartment complex pool, dwelling on life’s unfortunate turns. It’s a narrative Rose pulled directly from the somewhat shameless desires of her own growing ambition, as well as the public breakdowns of several notable celebrities. “To me, the satire is in what we’ll do and put up with in order to be successful. I wanted to make a story out of those parts of myself that are for the most part undesirable, then inject them with steroids.”

Rose worked on the album in order of the story’s timeline, ensuring each track represented a chapter of the narrative in her head. Songs bursting with self-aggrandizement often reveal moments of vulnerability. “Feel The Way I Want” leads us with boisterous confidence through heartache by refusing to let pain get the best of us. Disguised as a Prince-infused bop, “Do You Think We’ll Last Forever?” expresses the uncertainty and anxiety that come with seeing a new partner, ending in a full blown freakout of bottled up nervous energy. The S&M-fueled love song “Freak Like Me” and the darkly comedic “Command Z” ultimately expose a fragile person coming to terms with their own humanity. Rose sings, “I looked around at all the people there / as I thought everyone we know will know will someday be dead / God, I just don’t want it to end / Undo, I’m gonna do it again”.

Rose began formulating the songs and ideas for a sequel-esque follow-up to LONER in between the band’s near-incessant touring schedule, from playing sold out headline shows across the country and beyond, to becoming fan favorites at some of the world’s biggest festivals. “Two years ago I started touring with nothing, not knowing if I’d even have a career. Then all of a sudden we were playing to hundreds of people in a town I’d never heard of. The whole thing was fascinating. It got me thinking, just how much can you build from nothing?” As a result, Superstar was written, recorded and produced by Rose in her 10’x12’ home studio, as well as on a portable rig she’d set up in green rooms while on tour. 

Superstar is a bigger, badder, glitter-filled cinematic pop record for weirdos. “I realized at some point that I’m not going to fit into any one box, and maybe that’s a good thing. This new record is me embracing feeling like an outsider making my own path,” Rose says. One part satire, one part self-reflection, Rose’s anti-hero personifies much of what we as casual on-lookers are wont to poke fun at, dismiss or denigrate, yet deep down likely aspire to be. Someone who, whether warranted or not, refuses to let anyone dictate their own life’s narrative.

ABOUT TOTH

On his second solo album as Tōth, You And Me And Everything, Rubblebucket cofounder Alex Toth embarks on a journey of transformation and self-discovery. Surrounded by cascading folk rock, celebratory horns, and jaunty piano, he finds himself falling in love after the dissolution of a 12-year-long relationship and learning how to deal with deep-seated grief. From the “why not?” attitude that drives the celebratory “I Might Be” to the vivid imagery that positions “Turnaround (Cocaine Song)” as one of his strongest lyrical efforts yet, Tōth uses his latest album to push himself as both a musician and a person. Mixed by Grammy-winning producer Noah Georgeson (Joanna Newsom, Devendra Banhart, Cate Le Bon), the album brings to mind the heartfelt vulnerability of Arthur Russell, the woozy jazz of Chet Baker, and the playful melodic breadth of the Beach Boys. The only thing we know for sure about love is that it’s an adventure. On You And Me And Everything, Tōth comes to terms with that truth and invites you to join him on the unpredictable, fulfilling ride.

All fans must provide proof of full vaccination against COVID-19 (14 days after final dose – either the original vaccination card or a printed copy of the vaccination card) OR present proof of a negative COVID-19 diagnostic test within 72-hours before the event. Security will be checking vaccination cards and/or proof of negative tests and will deny entry to those non-compliant with these requirements. Any bags larger than a small personal clutch must be clear. Exceptions will be made for necessary medical equipment and bags for nursing mothers. Ages 18+ All tickets are standing General Admission and are available on a first come first serve basis. Advance tickets can be purchased online or at The Sylvee box office. Once the doors have opened, if tickets are still available, they can be purchased at the High Noon Saloon.