Turkuaz

FPC Live Presents

Turkuaz

Andy Frasco & The U.N.

Thursday, November 15th 2018

Doors: 8:00 pm / Show: 9:00 pm

$18 ADV // $20 DOS

This event is 18 and over

Turkuaz
Turkuaz
Drip painting entails actively splashing myriad colors on canvas.
Popularized by Jackson Pollock, Janet Sobel, Max Ernst, and other 20th century luminaries, the artform itself relies on action and motion. In similar fashion, energetic splashes of funk, alternative, rock, R&B, and psychedelia color the music of Turkuaz. Balancing male-female harmonies, strutting guitars, wild horn arrangements, and interminable grooves, this spirit takes shape in the color donned by each respective member on stage nightly via larger-than-life performances.
The Brooklyn-based nonet—Dave Brandwein [guitar, vocals], Taylor Shell [bass], Craig Brodhead [guitar, keys], Michelangelo Carubba [drums], Chris Bouwers [trumpet, keys], Greg Sanderson [tenor sax], Josh Schwartz [baritone sax, vocals], Sammi Garett [vocals], and Shira Elias [vocals]—ignite an explosion of energy punctuated by neon hues, deft musicality, and show-stopping singalongs on their fifth full-length album, Life In The City.
“Turkuaz is made up of individuals, each their own shade of the color spectrum,” explains Dave. “Each person brings a signature style and embodies his or her own color. The respective auras come together to create our sound. The name itself implies that vibrancy, but it’s a different spin on turquoise. In the same way, we put a different spin on groove-oriented music by telling stories that you wouldn’t normally associate with funk.”
Since emerging in 2011 with their self-titled debut, the group have quietly animated a movement.
Touring incessantly in support of four full-length studio albums and three official live releases, they’ve lit up stages everywhere from Bonnaroo, Hulaween, Okeechobe, Electric Forest, and Mountain Jam to Telluride Jazz, High Sierra, and Lock’n, in between gracing stages at legendary spots such as Red Rocks, Terminal 5, and The Fillmore, to name a few. Among numerous critical plaudits, The New Yorker claimed, “This Brooklyn-based nine-piece delivers horn-filled funk incorporating elements of R&B, psychedelic pop, gospel, Afro-pop, New Wave, classic rock, and just about any genre that gets people dancing.”
Most recently, 2015’s Digitonium yielded fan favorites such as “Nightswimming” and “European Festivity Nightmare” and generated over 1 million-plus cumulative streams. When it came time to commence work on Life In The City, the musicians switched up the flow and took a different approach.
“We did Digitonium in a short period of time and created a concept based on The Sword in the Stone,” says Dave. “We sifted through a lot more material for Life In The City. We threw all of the paint on the canvas. There was more collaboration in the writing. Some members who hadn’t participated before brought ideas to the table. We didn’t have anything road-mapped. In that respect, it was exploratory as far as who we are sonically. The same goes for the lyrics. Beyond the turmoil in current events and the world, I was going through some difficult challenges in my personal life. So, Life In The City is more based in reality and the experience I’ve lived in the past few years than a fantasy like the last record. The city is representative of modern life and all of these distractions we face day to day.”
In order to capture that vision, they first recorded at More Sound in Upstate New York before moving to Dave’s own newly relocated Galaxy Smith Studios in Brooklyn. Avowed fans of the Stop Making Sense film, they tapped Jerry Harrison of Talking Heads to produce standalone single “On The Run” and album track “If I Ever Fall Asleep” at The Bunker Studios.
“I’m extremely hands-on, so it was a growth experience to see someone else’s take on the band,” adds Dave. “Overall, Jerry made us as a band think about things we wouldn’t have otherwise. It was really beneficial.”
The group officially introduce the album with the first single and title track “Life In The City.” Funkified guitars wrap around otherworldly synths and rapturous horns as the words “Blind in the spotlight” glare.
“That line stands out to me,” Dave continues. “There’s so much stimulus in the city and in modern life in general. So much is going on. Light is constantly shined on what we do, how we act, social media, and the urban hustle and bustle that we’re blind to what’s really going on underneath. That line sums up what the song is about. We’re not able to take a breath and experience the simplicity of reality anymore. We forget to be who we really are.”
A collaborative effort with several band members, the swaggering cry of “Lady Lovely” tells an intergalactic horror story disguised as cross-species romance, complete with “creature” giggles from the song’s vocalist Josh Schwartz. Schwartz also co-wrote “If I ever Fall Asleep,” portraying the “paranoid ramblings of an insomniac holed up in his apartment.”
Punctuated by robust horns, “Superstatic” illuminates another side of Turkuaz as it touts lyrics “about letting go and having fun for a minute.” Meanwhile, on the more personal side, upbeat delivery and synth squeals underscore a poignant admission for Dave on “The One and Lonely.”
“It’s about kicking a lot of habits and stepping away from vices,” he admits. “The song highlights the struggle I had with substances and alcohol as well as the process I went through trying to shed the struggle. Drinking and drug use is a huge part of the road for most bands. It got to a point where it was too much for me though. This album documents me taking a step back and saying, ‘I want to live for a long time. I want to stop and take in what’s actually happening to me—not just party all the time.’”
It’s that honesty that has reinvigorated how far down the line the band has its sights set. And even in the midst of serious subject matter creeping in on this album, the musicianship of all nine band members and the group’s upbeat, fun-loving sensibility still shines through to give Turkuaz fans the joyous sound they’ve come to know over the last several years.
“I would love for our music to be a bright spot in an otherwise dark world,” he leaves off. “You can come to our shows, let go, exist, and have a good time in spite of what may be going on outside. That’s what music does for us. We want to share that.”
Andy Frasco & The U.N.
Andy Frasco & The U.N.
Andy Frasco, the 27-year old Los Angeles, CA native singer / songwriter / band maestro / entrepreneur / party starter / everyday hustler, and his band of gypsies “The U.N.” have been cited frequently as “Party Blues,” but the band’s musical inspirations and influences run much deeper incorporating elements of Soul, Funk, and Rock as well as tones of Roots, and Americana, creating a much more diverse sound and style that is distinctly Andy Frasco & the U.N.

Frasco’s shows have been described as infectious, entertaining, and feel good. His performances are recognized as orchestrated chaos, inciting frenzied, undeniable good times, dancing, and perhaps even a good ole fashion freak out.

Touring independently across the U.S. and Europe since he was 18 years old, Frasco first got his taste of the music industry managing and promoting bands when he was 16 years old -booking bands like Hello Goodbye, and working with labels such as Drive Thru and Atlantic Records, as well as venues like The Key Club in Hollywood, CA.

Since his start, Frasco has embodied a DIY attitude and work ethic, making the road his home; averaging 200+ dates a year, trekking over 200,000 thousand miles spanning the country dozens of times over, blowing minds and building a loyal following everywhere he goes.

2014 marked a breakout year for Frasco, highlighted by the release of the band’s 3rd full-length studio album Half A Man, a host of high profile festival performances both domestically and overseas, and recognition from national press outlets such as Pollstar, Live For Live Music, and Relix.

Produced by Grammy Award Winning, Charles Goodan, Half A Man received warm praise from press and fans alike, charting in the top 10 of Relix/Jambands.com Radio Chart for nearly 6 months, while the road highlighted featured performances on festivals like Wakarusa, Electric Forrest, and YSMB’s Harvest Festival in the US, and festivals like Zwarte Cross (NL), King’s Day Festival (DE), Bamberg Jazz Festival (DE), Guezenpop Festival (NL), and the COTAI Jazz & Blues Festival in Macau, China.

To date, Andy has shared the stage and performed with artists such as Leon Russell, Galactic, Jackie Greene, Gary Clark Jr, Jakob Dylan, Butch Walker, Deer Tick, John Mayer, Karl Denson’s Tiny Universe, Fishbone, Lukas Nelson, JJ Grey & Mofro, Lettuce and more.

Continuing to build off the success of 2014, Frasco & the U.N. continued to pick up momentum both at home and abroad in 2015 with featured performances at SXSW, Wakarusa, Phases of the Moon, and Backwoods Music Festival in the U.S., as well as Totaal Festival (NL), a return to Zwarte Cross (NL), Open Flair Festival (DE), and Open Air Gross Lindow (DE) overseas
Venue Information:
High Noon Saloon
701A E. Washington Ave
Madison, WI, 53703
http://www.high-noon.com/

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