P.O.S with DJ Rowsheen

FPC Live Presents

P.O.S with DJ Rowsheen

Serengeti, CRASHprez

Tuesday, May 15th 2018

8:00 pm

$13 ADV / $15 DOS

This event is 18 and over

P.O.S with DJ Rowsheen
P.O.S with DJ Rowsheen
Doomtree co-founder, punk philosopher and lyrical bomb-thrower Stefon Alexander, aka P.O.S, makes tight, declamatory music that builds on the Minneapolis-bred rapper and producer’s penchant for grinding beats and radical lyrics. Known for welding hip-hop with guitar squalls, screamed vocals, and futuristic beats fit for a Berlin nightclub, P.O.S steps even further into genre-blurring territory with Chill, dummy, his first official release with Doomtree Records since his 2004 debut Ipecac Neat. The album reflects on the past three years since a near-fatal kidney transplant sidelined him from making music and deals with the the difficulties of trying to maintain peace of mind and navigate through a confusing world which is becoming increasingly more alienating. P.O.S’ production fingerprints are all over this one as he maneuvers through a wide range of sprawling beats contributed by himself, usual suspects Lazerbeak and Ryan Olson, and newcomers Cory Grindberg and Makr. Several friends touch down along the way to offer up biting commentary and varying points of view (Allan Kingdom, Astronautalis, Kathleen Hanna, Justin Vernon, Open Mike Eagle, Busdriver, and Lady Midnight to name a few), but the album never suffers from an oversaturation of scattered voices, instead using everyone’s individual ethos and strengths to build a unifying call to arms. The result is P.O.S’ most bold, honest, and daring work to date, so Chill, dummy.
Illinois native David Cohn, a.k.a. multifaceted rapper Serengeti, experienced two distinctly different childhoods growing up. Half of his time was spent in Chicago’s then all-black South Side with his mother — a secretary, atheist, and devout communist. The other half was clocked in the then all-white suburbs of Olympic Fields with his father — a stressed, middle-class business-owner. Though Serengeti is the great nephew of Sonny Cohn, Count Basie’s trumpeter of thirty years, music wasn’t passed down freely in the family. Instead, young David kept his musical obsessions in his head, and by the time he was ready to loose them, his skull had accumulated several album’s worth of left- field hip-hop detritus. Geti has since released fourteen albums in ten years. He made his first two nearly by accident, on the way to completing his so-called “debut,” Gasoline Rainbows. That triptych created a hefty rumble in the underground, showcasing stylish, heady raps intertwined with thick threads of soul, pop, rock and psychedelia. With 2006’s Dennehy — a character-based concept album loaded with Chi-town signposts and sports references — Geti established himself as the missing link between Kool Keith, Common Sense and Bill Swerski’s Superfans. Since, he’s been following a stream of consciousness through the darker corners of society and his psyche over an increasingly adventurous musical trajectory. In 2008 alone, Geti debuted two new projects: Yoome, an intimate electronic collaboration with a New Zealand chanteuse, and Friday Night, an exercise in deconstructed party rap with emcee Hi-Fidel. In 2009, Adam “doseone” Drucker (Subtle, themselves, 13& God) signed Geti and his sometimes production partner Polyphonic to Anticon. The pair released their sophomore collaboration on the label that same year, Terradactyl, which found the emcee’s bleak verbiage delivered in both rhyme and free-floating sing-song over an intricate and glitchy expanse of experimental electronics. Fifteen months later came Serengeti & Polyphonic’s double EP, Bells & A Floating World, which featured six brand new songs and as many remixes, including inspired reworkings by artists as diverse as WHY?, Bracken, Jel, Son Lux, Greetings From Tuskan and Epstein Y El Conjunto. 2011 is looking to be one of Geti’s busiest years yet, thanks to Anticon’s release of Tha Grimm Teachaz’ long-lost cassette-only classic There’s a Situation on the Homefront (Geti helped bring the formerly shelved 1993 album to the label) and his contribution to Asthmatic Kitty’s ongoing 7-inch series. His latest Anticon release is Family & Friends, a refreshingly upbeat full-length produced by WHY?’s Yoni Wolf and Advance Base, formerly known as Casiotone For The Painfully Alone.
CRASHprez originates from a moment during the summer of 2010 when he almost passed out from dehydration at a poetry event in Baltimore (earning him the CRASH) and a nickname from the nurse at his elementary school who always made sure to encourage him (earning him the prez). CRASHprez is a navigation of the dance between the dangers of Black skin and the bliss of that existence in defiance of being a target for the world to feast upon.

CRASHprez is an art project by Michael Penn II. The mission is to dispose of the boundaries of what can be classified as hip-hop, while interrogating and frolicking in humanity from the perspective of a suburban Black boy in the United States of America who finds the world so beautiful and so evil at the same time.

There are eight CRASHprez releases. The latest is “more perfect.”: an album co-released under CATCH WRECK and the Mishka NYC imprint based in New York City. “more perfect.” is the second piece in a four-part saga of CRASHprez releases known as “The Campaign.”; “fear itself.” is the first piece in the saga, executive-produced by *hitmayng.

CRASHprez has shared stages with Chance the Rapper, Danny Brown, Ab-Soul, PRhyme, RiFF RAFF, Lil B the Based God, and many others. He played the Revelry Music & Arts Festival three times in a row, and played Freakfest twice: on the Gilman Stage in 2012 and the Frances Stage in 2015.

Michael Penn II is a 22-year-old MC, poet, journalist, curator, and teaching-artist from Fort Washington, Maryland. He currently resides in Minneapolis, MN. He is a graduate from the 5th Cohort of the First Wave Hip-Hop and Urban Arts scholarship program at the University of Wisconsin-Madison, with a degree in Journalism/Reporting. His music has been featured on Noisey, Pigeons & Planes, DJBooth, HOT 97, HotNewHipHop, Daily Chiefers, Cypher League, and The Isthmus among others. His journalism work can be found in VICE, Vinyl Me Please, TrackRecord, and Tone Madison among others.
Venue Information:
High Noon Saloon
701A E. Washington Ave
Madison, WI, 53703

The High Noon Saloon Privacy Policy